April 23 is both LOVER’S DAY and TAKE A CHANCE DAY. As it happens, one of my favorite composers wrote a song which encompasses both of those gambols/gambles in one title:
The name of that composer is Vladimir Dukelsky, better known to lovers (of The Golden Age of Popular Music) as VERNON DUKE, writer of such all-time standards as APRIL IN PARIS and AUTUMN IN NEW YORK. Here, in keeping with our ‘double take’ on this occasion, is one of his lesser known songs:
On this April day, I will keep our celebration short and bittersweet by closing with the above-noted ‘song of the month’:
I was fascinated with Ella’s scat when I was a child. I’d watch an old movie and skip around the house scatting. My parents were very tolerant people…
😉
My oh my! What a joy to watch and listen to Ethel Waters! A delight. I smiled all the way through and I’m playing it again as I write. (Also the 2 dancers are amazing!) There’s so much missing in our lives these days that I’m glad you’re there to remind us of happiness.
Thanks, Ashley. That clip is from the 1943 film CABIN IN THE SKY, one of the few Hollywood films of that era with an all-black cast, including Louis Armstrong, Lena Horne, Eddie “Rochester” Anderson, and Duke Ellington & His Orchestra. It was also the first movie directed by Vincente Minnelli (future husband of Judy Garland and father of Liza Minnelli).
I hope it holds off until after the NFL draft tonight, Ricardo, because I’m so starved for sports, I wouldn’t mind if my Cincinnati Bengals drafted Donald Trump. Hey, if he can make America great again, think what he could do for the Bengals.
What a wonderful post — Vernon Duke and Ethel Waters and Eddie Anderson (and one other great dancer!) and Ella and then another Ethel Waters song in the comments! I have long loved and been astounded by Ella’s musical gifts, but only recently begun appreciating the wonderful Ms. Waters. Turns out a bunch of great songs were written for her to debut in clubs, on Broadway, and in the movies — and she sang (or in the case of movies sang and then lip-synched) them so well! I saw a video recently of her performing Irving Berlin’s “Suppertime” on a TV show hosted by Diana Ross. Ms. Waters had debuted the song many years before in a hit Irving Berlin revue — and her performance on TV many years later was still masterful and heart-breaking. https://www.youtube.com/watch?v=Y5Zvjjbc-Hk
I’m with you on both Ella and Ethel, as shown by the many LPs of both in my record collection. The clip of Ethel (in the comments) is particularly interesting because the record was made in 1921 when recording equipment was primitive and the band behind her was rather primitive also….yet her voice cones through beautifully.
I’ve read quite a bit about her, including in a bio (of her contemporary, lyricist Andy Razaf) titled BLACK AND BLUE which I’ve just finished. It seems she was a bit of a prima donna until she “got religion” late in life. But who can blame her — black artists had it rough in those days, to say the least.
Thanks, Don. I do this kind of post fairly often, and would do them even more often if I thought there was a sufficient ‘audience’ for that era among my readers. Perhaps there is, and maybe I’ve underestimated it (in any case, “sufficient” is in the eye of the beholder), so look for more “as time goes by.”
This was a loverly trio—and encore—and I’m happy I dropped in by chance (not!) The Ethel Waters recording was tip-tap, and Ella never fails to delight me. I’ve heard April in Paris a zillion times, but I don’t ever remember the singer enunciating WHOM can I run to? So viva la grammariana!
When you responded to a comment by enriching your Nov 3 response with an Ethel reprieve, I thought of you as a Harpo Marxist—making a point with a recorded song instead of a horn.
While I’m here, I thank you for your like of my women and successful leadership in pandemic post. Unlike your previous likes, that like did go through. I’m assuming you didn’t comment, but since I just read an entire post of people complaining that WP was swallowing their comments, I wanted to make sure.
I did respond to one of my respondents on that post with a triple pun, which I feel obliged to report to you due to our shared pun-y weakness.
I don’t remember commenting on that post, but I see you commented there on Nov. 12 that you “LOVE bad puns” — which leads me to think your comment may have been in response to a comment of mine that WP subsequently “swallowed.” In any case, that seems like an eternity ago, so (moving on) I’m glad you enjoyed the ‘Ethel and Ella’ show and noticed the to “WHOM” it may concern — namely, us.
Ethel was born in poverty, but went on to become a great vocalist, and the first black woman to integrate Broadway’s theater district and have her own TV show. What a woman!
Female blues singers were the rage in the 1920s, which is how she became famous. There were few opportunities for black women in film then (and for years to come) other than as maids and housekeepers, so dressing up was ‘out of the picture,’ if you’ll pardon the pun. Here’s more info:
Tomorrow, Feb. 15, is the birthday of one of America’s greatest composers of popular songs, Hyman Arluck. HymanWHO, you ask? Never heard of him? If you’re a fan of America’s Golden Age of Popular Music, this song of his is probably one of your favorites:
….not to mention this one:
You say you thought those songs were composed by HAROLD ARLEN?
From what I hear, no doubt they was….
because…because…because…because…
of the wonderful whiz he was.
But before a wonderful whiz he was, he was Hyman Arluck, so born on Feb. 15, 1905. If you were fooled, you should be grateful because, as Arlen (nee Arluck) notes in another of his songs, it’s….
Speaking of which, I thought it might be fun (for me, anyway) to fool around with a selection of birth names of other great Golden Age songwriters (each of them listed with one of their most popular songs), followed by a list of their noms de plume in scrambled order. Unless you Arluck-y, you’ll probably be unable to correctly pair more than 70% of the names (but at least half are guessable even if you don’t know them):
a. Israel Baline (HOW DEEP IS THE OCEAN?)
b. Benjamin Anzelwitz (SWEET GEORGIA BROWN)
c. C. K. Dober (BARNEY GOOGLE)
d. Vladimir Dukelsky (APRIL IN PARIS)
e. Charles N. Daniels (CHLOE)
f. Albert Gumm (TAKE ME OUT TO THE BALLGAME)
g. Johnny Kluczko (RACING WITH THE MOON)
h. Edward Chester Babcock (LOVE AND MARRIAGE)
i. Andrea Razafkeriefo (MEMORIES OF YOU)
j. William Samuel Rosenberg (I’VE GOT A FEELING I’M FALLING)
1. Albert Von Tilzer
2. Irving Berlin
3. Ben Bernie
4. Con Conrad
5. Vernon Duke
6. Neil Moret
7. Billy Rose
8. Andy Razaf
9. Jimmy Van Heusen
10. Johnny Watson
In Part 2, I’ll post the answers plus clips of a few of the above songs. Meanwhile, if you’d like to hear one of the songs in particular, comments are open — please make a request. I’ve got a feeling I’m filling it.
Thank you for the Over the Rainbow clip. I never tire of hearing Judy Garland sing it. 🙂
I’m rubbish at guessing the real names!
But I’d like to hear April in Paris Thank you 🙂
I knew Israel Baline was Irving Berlin as a relative of one of my relatives was his accountant. Sometimes I got some really great seats at the Music Box Theater. Then I knew who Edward Chester Babcock was as he worked with and was a close friend of Sinatra. I could guess who Billy Rose was as the names are pretty similar but then I had a lot of fun looking up the other ones.
I’ve always thought that Somewhere Over The Rainbow is one of the finest examples of blending words and music you can ever find.
Glad you enjoyed it, Don. Unbeknownst to me, your comment came in while I was in the middle of replying to scifihammy’s comment, so my Billy Rose example had already been guessed by you. I guess great minds really do think alike (at least, I prefer that explanation over coincidence, How About You?).
Thanks, scifihammy — I’ll be glad to play “April In Paris”….maybe even before April in Paris (like in my next post). 🙂
As for guessing at matching the songwriters’ names, what I meant by “half are guessable even if you don’t know them” is best shown by this example: the real name of the writer of I’VE GOT A FEELING I’M FALLING, William Rosenberg, can be deduced from its similarity to his professional name, Billy Rose. Thus, j. is 7. There are several other instances whereby a match can be made by comparing the first and/or last names in the first list with those in the second list.
That’s a great song by Morris Hyman Kushner but I had to go look that up. When I did I found out that he also wrote the musicals ‘On a Clear Day’ and ‘Finian’s Rainbow’ in addition to a lot of other great songs. I also found out he discovered Francis Gumm.
HOW ABOUT YOU? was indeed composed by Morris Hyman Kushner (aka Burton Lane), with lyrics by Ralph Freed (aka Ralph Freed). I wonder if Francis Gumm (aka Judy Garland) was related to Albert Gumm, composer of TAKE ME OUT TO THE BALLGAME? I’ll have to check that out.
Maybe it’s not too late, Ricardo — which, by the way, suggests a name you could change to and gain instant fame: Ricardo Montalban Jr. After all, the original Ricardo Montalban had good luck with it until he died, but that could happen to anyone.
arekhill1, 
The Observation Post 
calmkate 1:29 am on April 23, 2020 Permalink |
absolutely loved Ethels voice and that young dancer would be up there with Fred!
As for Ella, what a legend, thanks for such a cheerful musical interlude 🙂
LikeLiked by 3 people
mistermuse 8:51 am on April 23, 2020 Permalink |
You mean Mister (Fred) Rogers, of course! (Just kidding — thanks for stopping by my neighborhood.)
LikeLiked by 1 person
calmkate 6:22 pm on April 23, 2020 Permalink
yes it’s getting a bit dangerous over there … guns, viral deaths, rallies, no foreigners … you take care 🙂
LikeLiked by 1 person
masercot 4:52 am on April 23, 2020 Permalink |
Watching Ethel Waters gives me another three and a half hours of hope…
LikeLiked by 4 people
mistermuse 10:36 am on April 23, 2020 Permalink |
Let’s not settle for just 3 1/2 hours of hope. Here, courtesy of Ethel, is what I’m hoping for on Nov. 3:
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masercot 11:48 am on April 23, 2020 Permalink
When Esso changed to Exxon, there were commercials with the Esso tiger singing just that song. Not as well as Waters, but pretty good for a tiger…
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magickmermaid 5:46 pm on April 23, 2020 Permalink
Great tunes and dancing! 🙂
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Rivergirl 8:04 am on April 23, 2020 Permalink |
I was fascinated with Ella’s scat when I was a child. I’d watch an old movie and skip around the house scatting. My parents were very tolerant people…
😉
LikeLiked by 3 people
mistermuse 10:43 am on April 23, 2020 Permalink |
The first to scat may have been Satchmo, but Ella certainly did scat mo’ (never miss a chance to make a bad pun, I always say). 😉
LikeLiked by 3 people
Ashley 8:14 am on April 23, 2020 Permalink |
My oh my! What a joy to watch and listen to Ethel Waters! A delight. I smiled all the way through and I’m playing it again as I write. (Also the 2 dancers are amazing!) There’s so much missing in our lives these days that I’m glad you’re there to remind us of happiness.
LikeLiked by 2 people
mistermuse 10:53 am on April 23, 2020 Permalink |
Thanks, Ashley. That clip is from the 1943 film CABIN IN THE SKY, one of the few Hollywood films of that era with an all-black cast, including Louis Armstrong, Lena Horne, Eddie “Rochester” Anderson, and Duke Ellington & His Orchestra. It was also the first movie directed by Vincente Minnelli (future husband of Judy Garland and father of Liza Minnelli).
LikeLiked by 2 people
arekhill1 11:33 am on April 23, 2020 Permalink |
It’s the Apocalypse, too, Sr. Muse…https://www.richardcahill.net/home/the-rapture-is-today
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mistermuse 12:32 pm on April 23, 2020 Permalink |
I hope it holds off until after the NFL draft tonight, Ricardo, because I’m so starved for sports, I wouldn’t mind if my Cincinnati Bengals drafted Donald Trump. Hey, if he can make America great again, think what he could do for the Bengals.
LikeLiked by 1 person
willedare 1:01 pm on April 23, 2020 Permalink |
What a wonderful post — Vernon Duke and Ethel Waters and Eddie Anderson (and one other great dancer!) and Ella and then another Ethel Waters song in the comments! I have long loved and been astounded by Ella’s musical gifts, but only recently begun appreciating the wonderful Ms. Waters. Turns out a bunch of great songs were written for her to debut in clubs, on Broadway, and in the movies — and she sang (or in the case of movies sang and then lip-synched) them so well! I saw a video recently of her performing Irving Berlin’s “Suppertime” on a TV show hosted by Diana Ross. Ms. Waters had debuted the song many years before in a hit Irving Berlin revue — and her performance on TV many years later was still masterful and heart-breaking. https://www.youtube.com/watch?v=Y5Zvjjbc-Hk
LikeLiked by 1 person
mistermuse 3:00 pm on April 23, 2020 Permalink |
I’m with you on both Ella and Ethel, as shown by the many LPs of both in my record collection. The clip of Ethel (in the comments) is particularly interesting because the record was made in 1921 when recording equipment was primitive and the band behind her was rather primitive also….yet her voice cones through beautifully.
I’ve read quite a bit about her, including in a bio (of her contemporary, lyricist Andy Razaf) titled BLACK AND BLUE which I’ve just finished. It seems she was a bit of a prima donna until she “got religion” late in life. But who can blame her — black artists had it rough in those days, to say the least.
LikeLiked by 1 person
Don Ostertag 2:34 pm on April 23, 2020 Permalink |
Thanks for bringing this wonderful, talented group of old time greats to the attention of many who weren’t familiar with them.
LikeLiked by 1 person
mistermuse 3:25 pm on April 23, 2020 Permalink |
Thanks, Don. I do this kind of post fairly often, and would do them even more often if I thought there was a sufficient ‘audience’ for that era among my readers. Perhaps there is, and maybe I’ve underestimated it (in any case, “sufficient” is in the eye of the beholder), so look for more “as time goes by.”
LikeLike
Don Ostertag 3:35 pm on April 23, 2020 Permalink
I would hope there would be a lot of interest in your blogs of this type. Our youngsters should not live by rap alone.
LikeLiked by 1 person
annieasksyou 5:03 pm on April 23, 2020 Permalink |
This was a loverly trio—and encore—and I’m happy I dropped in by chance (not!) The Ethel Waters recording was tip-tap, and Ella never fails to delight me. I’ve heard April in Paris a zillion times, but I don’t ever remember the singer enunciating WHOM can I run to? So viva la grammariana!
When you responded to a comment by enriching your Nov 3 response with an Ethel reprieve, I thought of you as a Harpo Marxist—making a point with a recorded song instead of a horn.
While I’m here, I thank you for your like of my women and successful leadership in pandemic post. Unlike your previous likes, that like did go through. I’m assuming you didn’t comment, but since I just read an entire post of people complaining that WP was swallowing their comments, I wanted to make sure.
I did respond to one of my respondents on that post with a triple pun, which I feel obliged to report to you due to our shared pun-y weakness.
LikeLiked by 1 person
mistermuse 6:31 pm on April 23, 2020 Permalink |
I don’t remember commenting on that post, but I see you commented there on Nov. 12 that you “LOVE bad puns” — which leads me to think your comment may have been in response to a comment of mine that WP subsequently “swallowed.” In any case, that seems like an eternity ago, so (moving on) I’m glad you enjoyed the ‘Ethel and Ella’ show and noticed the to “WHOM” it may concern — namely, us.
LikeLike
Elizabeth 4:52 pm on April 25, 2020 Permalink |
Hadn’t heard from Waters in a long time and was glad to have a chance to listen to her again.
LikeLiked by 1 person
mistermuse 5:28 pm on April 25, 2020 Permalink |
Ethel was born in poverty, but went on to become a great vocalist, and the first black woman to integrate Broadway’s theater district and have her own TV show. What a woman!
LikeLiked by 1 person
Elizabeth 6:16 pm on April 25, 2020 Permalink
Did she have any roles where she didn’t have to dress down as in “Cabin in the Sky?”
LikeLiked by 1 person
mistermuse 6:54 pm on April 25, 2020 Permalink
Female blues singers were the rage in the 1920s, which is how she became famous. There were few opportunities for black women in film then (and for years to come) other than as maids and housekeepers, so dressing up was ‘out of the picture,’ if you’ll pardon the pun. Here’s more info:
https://en.wikipedia.org/wiki/Ethel_Waters
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