A few weeks ago, I saw a post (on a blog I don’t recall) with a photo of a rare double rainbow. Today, out of the blue, that image came to mind as I was perusing a biography of lyricist E. Y. Harburg of OVER THE RAINBOW fame, who also wrote the score for the 1968 film FINIAN’S RAINBOW….and I thought, now that’s a double rainbow if I ever heard one.
Everyone knows OVER THE RAINBOW (from The Wizard Of Oz), but how many of you remember FINIAN’S RAINBOW starring Fred Astaire in his last musical at the age of 69? Here is the “Rainbow” song from that film:
And here he is singing and dancing to one of the film’s definitive songs, WHEN THE IDLE POOR BECOME THE IDLE RICH:
I say “definitive” because it’s a reflection of E. Y. Harburg’s very liberal leanings, as exemplified in these lyrics from the song:
When a rich man doesn’t want to work,
He’s a bon vivant
Yes, he’s a bon vivant
But when a poor man doesn’t want to work.
He’s a loafer, he’s a lounger,
He’s a lazy good for nothing,
He’s a jerk.
If Harburg were alive today, I have no doubt that he would appreciate the ‘music’ of another Rainbow man, name of Randy:
Yes, friends, let us look to November 3 and the rainbow following the dark storm of the Trump presidency.
Judging by calmkate’s first comment above, Rg, you may have to share the honors with her (although I do now remember your double rainbow post as being my ‘inspiration’ — thanks for the reminder). đ
Drawing an equivalence between “the Dump” and “Obummer” strikes me as a bit of a stretch, but I guess that’s what tubular socks do. In any case, we agree on Randy Rainbow, and alliances have been forged on matters of far less understanding in common.
This was such a romp. My sister played in a local production of Finianâs Rainbow when we were young, so I was forced to learn every word. I love the words and music, and Fred Astaire could elevate any scene.
I liked your pointing out Harburgâs messageâalso that the cast wasnât lily white.
I think we should all declare the evil one irrelevant and just ignore him while we work like hell to overcome all the shenanigans designed to disrupt our reclaiming our democracy.
Thank you, Annie. In addition to being a superb wordsmith, E.Y. (Yip) Harburg was undoubtedly the most liberal lyricist of the Golden Age of Popular music. If interested in reading his biography (the one I mentioned in my post), the title is WHO PUT THE RAINBOW IN THE WIZARD OF OZ? by Harold Meyerson and Ernie Harburg (Yip’s son).
NOTE: Because of what I consider a vulgar rant (since deleted) by a commenter to this post, I have chosen to change my settings to require approval by me of all future comments. This means that comments will no longer appear immediately. However, be assured that this is no reflection on my regular valued followers. It means only that life is too short to take part in diatribes which bring heat but no light to the matter at hand. This is MY blog, after all, and my standards apply. I hardly need add that that commenter is free to run his blog as he sees fit.
I agree, Catherine. You seldom, if ever, see FINIAN’S RAINBOW included among the best movie musicals of all time, but I think it rates at least in the top 40 or 50.
Thanks.
Speaking of liberals, I wrote a tweet to Rob Reiner, who had written that he was heartbroken over his fatherâs death. Someone put up a photo of Carl, his daughter (Annie, it so happens), and Mel Brooks wearing Black Lives Matter t-shirts just last week. There was also a video Carl had made urging everyone to vote in 2018, very fiery, and concluding that he just hopes heâll be around in 2020 to vote the unmentionable one out. So I plan to dedicate my vote to Carl Reiner in November.
Yip Harburg conceived and cowrote the book (as well as wrote the lyrics) for FINIAN’S RAINBOW, which opened on Broadway in 1947 and ran for 725 performances before being made into a movie in 1968. His son, Ernie Harburg, calls it “Yip’s most complex and fully realized achievement.”
I have faith in you to keep after the cowering inferno of Trump as a loser, Ricardo. Megalomaniacs do not go softly into that good night, so until he ends up in a padded cell where he belongs, I’m sure he’ll provide continuing fodder for skewering by you and Randy.
Just as all good things must come to an end, so too must all bad things (even Trump’s evil rule will run out of recourse eventually — e.g., the fat lady’s last aria at the opera seems to go on forever; will it end short of becoming a hoarse opera?). What it all a-mounts to is….
Meanwhile, back at the ranch , we bid happy trails to “bad” actors not named Trump, and end our HOLLYWOOD’S GOLDEN AGE series with a roundup of some of the era’s great song & dance stars, starting with this incomparable pair whose magic outlasted their time:
When it comes to high-energy dancing, no one outshined Gene Kelly. Here he is in THE PIRATE (1948), clowning around with the fabulous Nicholas Brothers:
I do have one regret about this retrospective: so many musical stars, so little time and wherewithal for them all. Perhaps, as time goes by, I will use a favorite star’s birthday as an occasion to do an occasional post.
In closing (speaking of when A STAR IS BORN), if ever someone was born to be one, it’s this star-crossed girl/woman with whom we bring down the curtain on this series:
It didn’t hurt (quoting from A SMITHSONIAN SALUTE TO THE AMERICAN MUSICAL) that “Astaire and Rogers worked with the finest composers of their day. Of their ten films together, one featured music by Cole Porter, two by Jerome Kern, one by George and Ira Gershwin, and three by Irvine Berlin.” Throw in great directors and supporting casts, and it’s no wonder there was movie magic!
Ginger spoke in an interview about that particular dance. Fred insisted on perfection, and as usual, doing it in one take. She said that by the time this scene was done as he liked it there was blood in her shoes. She also said, as she had before and would again, that she got paid less and did everything he did in heels and backward.
Fred was indeed a perfectionist. Quoting from the book I mentioned in my earlier reply to calmkate, “the roller skating sequence in SHALL WE DANCE, for example, was shot 30 times, and the Never Gonna Dance number from SWING TIME was done in forty-eight takes.” As for Ginger, “I had plenty of input in our routines and got to be known as the ‘button finder’….the one who puts the last word or finishing touch on a scene.” So I don’t blame her for complaining “that she got paid less.”
Although Ginger “did everything he did in heels and backward,” the one thing she didn’t do as well was sing. Irving Berlin said, “I’d rather have Fred Astaire introduce one of my songs than any other singer I know — not because he has a great voice, but because his delivery and diction are so good that he can put over a song like nobody else.”
Amazing tributes, all, but the one for Judy Garland is amazing. To see all those films in one clip is a little mind-blowing. She was certainly prolific!
Thank you for the Like, David Thompson. I tried to check out your blog, but when I click the link, I get a blank screen. Before I approve your comment, kindly advise if your blog is not operational for some reason.
Friends, I am proud, humbled and honored to tell you that I (will) be nominated for the Kiester Award for blogging (over, above and beyond the call of duty, no less). Yes, friends, I foresee that you will see fit, after reading this, not only to get off (or on) your kiester, as the case-ster may be, to nominate me….but also to kick yourself in the kiester for not doing so before. So, though your awakening may be in arrears, it is appreciated.
But I’m conflicted, friends. It’s not that I’m ungrateful for the Kiester that you are aching to bestow upon me; however, there are others much more deserving. I would therefore caution you to control yourselves, because worthy as I may be, it’s only right (wing) that you should nominate someone with far superior qualities, such as:
THE DONALD — aka The Orange (T)error. America’s bully boy and wall nut who is able to leap (t)all Republicans in a single bound and make them kiss his ass in a single tweet. Drains swamps by filling them in with b.s. Loves everyone (who loves him), but retains Godfather complex (for those who don’t).
THE MIKESTER — aka Straightarrow Mike. Joined to The Donald at the hip while being the least hip VP in American hipstery. Even a dog couldn’t be more loyal. Leading contender for the Cardboard Poodle award.
THE MITCH-ELAINE MAN — aka Monotone Mitch. The Blue Grass State’s gift horse to the U.S. Senate. Was once caught smiling, and vowed never to smile again. Doesn’t parrot The Donald as much as The Mikester, but is nonetheless for the birds. Married to Elaine Chao, Secretary of Transportation in the horse’s ass administration.
THE HUCKABEE WASP — aka Sarah the married Spinstirrer. White House Press Secretary and daughter of White Anglo-Saxon Protestant Christian Minister and former Arkansas governor, Mike Huckabee. Read her lips. She may not be a dummy, but The Donald’s got her back (or is it the other way around?).
DUMBO THE UGLY ELEPHANT — aka The GOP. It’s the body the Republican Party has become since The Donald took power, as Ronald Reagan turned over in his grave. Who knew Ronnie’s reign as President would one day turn out to be, not only The Good Old Days of fond memory, but the elephant in the room, the ghost of civility past?
In closing, friends, a few of you may think I misspelled Keister, but in my dictionary, Kiester is also acceptable. Spelling can be like pronunciation:
According to the Urban Dictionary, Christer is a popular name among religious fanatics, TV ministers and do-gooders, so I’m guessing you’ve had a drought and you invited them to pray for rain. Saints be praised, you had a conversion, and this is your reward! Now all you have to worry about is the coming flood! đŚ
“The Orange (T)error. Americaâs bully boy and wall nut who is able to leap (t)all Republicans in a single bound” is a hoot. The Stump is so disgusting that some ask who we’d have to laugh at when he’s gone. He’s become so revolting he’s just sad (and dangerous) while making our country a laughingstock in the eyes of the rest of the world. The majority of the Republican Party isn’t much better. Clever posting and loved the Astair/Rogers clip, one that was done in more than one take. Rare for them. Astair usually insisted on single, seamless takes.
Thank you. I think the reason Astaire/Rogers seldom needed multiple takes was that he was such a stickler for rehearsing over and over again until they achieved perfection (or as close to it as humanly possible) that by the time it came to shoot a scene, one take was all that was necessary.
Fortunately I don’t know most of these nominees but I sincerely appreciate your wordsmith skills in aptly describing them … so I feel compelled to give my vote to the queen
Just for the record, the other nominees (besides Trump) are Mike Pence, President in charge of Vice; Mitch McConnell, Senate Majority Leader in charge of blocking Supreme Court nominees of Democrat Presidents and confirming Supreme Court nominees of Republican Presidents; Sarah Huckabee Sanders, White House Press Secretary in charge of explaining what Trump means by what he says and tweets; and the GOP, the political party in charge of sitting on their assumptions while their President runs the country like a raving egomaniac.
Normally, when I write a post, I think about what I want to say — the body of the post — and at some point during this labor of love (after considerable cogitation), a title is born. With my last post, the title came first and I then had to work to shape the body (after considerable consternation) in language of the what-have-I-gotten-myself-into kind. Believe me, friends — it’s a pain in the brain to be boxed in by a title, so with this post, I decided to leave the title BLANK. I feel better already.
But, now that I have a blank canvas, one would think I should be able to paint a word picture; yet it’s like I can’t see the blog for the fog. Have I become color blind?
So it’s just the time of day, a mere matter of mind over time. Tomorrow the fog will clear and this will seem like a black and white dream….
I’m a big fan of Fred and Ginger too, but for me, the outstanding ‘find’ among the 3 clips was “The No-Color Time of the Day.” I’ve also been a big fan of Peggy Lee for a long time, but somehow I’d never heard her (or anyone) sing that great song before. I probably missed it because, the year she recorded it (1960) was the year I was drafted into the army. Also, Rock ‘n’ Roll had taken over pop culture by then, and a wistful song like “No-Color Time” had little chance of becoming a hit.
Kate, I was in the Army 1960–62, so I’m actually a pre-Vietnam vet. Not that I’m complaining–as far as wars are concerned, service between, rather than during, was fine with me.
haha Interesting how you construct your posts. đ
I often have an idea for a post and think of the title before I start writing. Sometimes I struggle for the right title. Now I know I can should put BLANK! đ
Really like the Fred and Ginger clip. They were so elegant together. đ
Although I sometimes think of a title before I start writing, when that happens I almost always have some idea of what I’m going to write. The previous post was a case of thinking of (and ‘falling in love’ with) the title before I had a clue what to write. So, being “boxed in by the title” led to the post being a bit more bawdy than it might otherwise have been.
Drawing a blank when staring at an empty computer screen is common. But I wouldn’t recommend titling many posts “Blank.” The more alarming the titles of my posts, the more hits they get, although the percentage of people who just read the title and promptly take offense probably approaches 50%.
Such is life in the blog city, Ricardo. I don’t understand how anyone could object to the gentle tweaks you employ in your posts and titles. As for my titles, maybe you’re right. As a step in the direction you suggest, for my next post, I’m thinking of titling it BLANKETY-BLANK. If someone takes offence at my upping the ante, I will gently suggest that they go BLANK themselves.
Neil, I hadn’t heard it before I stumbled upon it while searching for another ‘color’ song on Google (see my 8:35 am reply to calmkate’s first comment for more info).
In the movies the actors fire blanks. You can always fill in the blanks. The subject on an email can be blank and you can still send it. And, you can be a tabular rosa or a blank page. Maybe like nothing, sometimes blank, can be a real cool hand.
I’m not so much on Fred Astaire, but I love Ginger Rogers… even wrote an essay about her. I think she was a pretty swell dancer; but, her comedy was even better.
BTW, if I draw a blank on what to write about, sometimes I use a random word generator to get my brain moving around. Doesn’t always work, but it has from time to time…
If you love Ginger Rogers, you should watch (if you haven’t already) one of her lesser-known films titled THE MAJOR AND THE MINOR. In addition to be a great film, it has the distinction of being the first movie directed by Billy Wilder, and the only movie (to my knowledge) in which Ginger’s mother appeared (near the end of the film, in a short but important role).
I’ve seen it a few times. She is wonderful at playing a youngster, a sexy young woman and a mature mother. Jerry Lewis remade that movie in the fifties with Dean Martin. Not as good but there is a fantastic dance routine that has to be seen to be believed…
Have you seen Monkey Business with Rogers and Cary Grant?
If you haven’t been following this series, you don’t know what you’ve been missing (athough some might claim ignorance is bliss). If you are a follower, you may think the humor has been pretty juvenile. This first selection of Part 05 should assuage all concerns:
3 to 1 you now think this series is for the birds….but you ain’t heard nothing yet. Here’s a real turkey:
OK, I don’t need a straw vote to tell me the next selection has nowhere to go but up….
Now that’s what I call ending on a high note (as opposed to starting on a high chair). And so we come to the moment you’ve all been waiting for….
I intended “juvenile” in a tongue-in-cheek way, but no matter how you took it, I’m glad you appreciated the clips. Two of the four were very obscure, and I was fortunate to find them.
Great clips here. I’m not sure which is the best but I’ll give the nod to Laurel and Hardy.
Now in the interests of political correctness let us say the opera ain’t over till the plus sized lady sings. Or maybe we could use the medical code E66.3 which is used to indicate overweight. It would be like spelling a word in front of a two year old because you don’t want them to hear it.
I agree with your nod to the Laurel & Hardy clip, which is from one of their best movies, WAY OUT WEST (1937). I thought TURKEY IN THE STRAW (one of the two obscure clips I mentioned in a previous comment) was relatively well done, given that many ‘hayseed’ films of this type are just plain cornball.
As for “the plus sized lady sings,” that description may be more politically correct, but it ain’t nearly as FUNNY as “it ain’t over until THE FAT LADY sings” — though I admit I probably wouldn’t think it was funny if I were a fat lady. On second thought, make that “if I were a plus sized lady.” đŚ
Probably no one in line who hears you whistling knows the title of the song, because if they did, they’d might say there’s a turkey in the theater (just kidding — I’m sure you whistle beautifully, tref).
In comments to a Jan.2 Peach of a post titled Fallen Angel, I included links to BEYOND THE SEA and LA MER (English and French versions of the same song). Diana Peach’s preternatural post & both song links can be found here: https://mythsofthemirror.com/
I bring this up because that song is just one of several ‘beautiful’ sea songs I recall, and I thought I’d take a stroll down memory lane — or should I say, memory beach. I invite you to join me….that is, if you don’t mind getting sand — as I don’t mind getting….
And now let us start our stroll:
Of course, there is more than one way to see the sea — you can join the Navy:
You say the Navy’s not your cup of sea? Then let us end our stroll like Mr. Bean, oblivious to all else, bidding glorious adieu to….
Muse there are other great sea songs like ‘I’ll Be Seeing You’, ‘C C Ryder’ and ‘Good Night Irene’ that has the line “I’ll see you in my dreams”. But that’s enough out of me. I’ll see you later.
Don, “I’ll see you in my dreams” is actually a song in itself, written in 1924, pre-dating “Good Night Irene.” It was one of lyricist Gus Kahn’s biggest hits — so much so that it served as the title of the hokey 1951 biopic directed by Michael Curtiz, starring Danny Thomas as Gus Kahn. Here is the Mills Brothers’ version:
Mornin’ mistermuse,
Of course you must realize that I live on the sea bound coast. . .
The first video mentioned the sand on Havana beaches – gorgeous! We’ve been to several around Cuba and they are, indeed, as good as the lady sings about. đ
Lovely song selections!
(and you were worried I’d unleash a sea of slights)
Good afternoon, Carmen. Not only do I remember that you live on the sea bound coast, but I think I mentioned in a comment a few years ago that I’ve been in your lovely neck of the woods (and coast) on vacation….when it was slightly warmer, of course.
Glad you enjoyed the song selections. I think the last one (from the film MR. BEAN’S HOLIDAY) is a visual delight, as well as an auditory one.
As for your last sentence, I wasn’t worried in the slightest. đŚ
Friends, if you Xpected an X post after my W post, U haven’t been paying attention, because as I’ve previously Xplained, X is out. Even X post facto, there is no X factor here. Y? There are no old songs with girls named X in the title, that’s Y. That’s Y U C Y here.
Now that we got that straightened out, a word to the Ys: even if I were a Ys man (or a Ys guy, for that matter), I am not Ys enough to know more than one or two Y girl songs. So let’s start with that, and then, if necessary, I’ll pray for God’s help to find another Y song.
Sorry I asked, Lord. I could have done without that last one.
Thanks. I thought of Xanadu too, but the movie and song of that name came out in 1980, so it doesn’t qualify as an oldie (by my criteria) even if it were a girl’s name. Nice song, though.
I think Yolanda’s Blues is the cream of the crop but Fred Astaire does a pretty good job. I think or read somewhere that Song writers really liked and wanted Fred Astaire to sing their songs. At first that sounded strange to me as he doesn’t have a strong voice but then I could hear how he pays such careful attention to the lyrics that it made sense.
I got something for Z that does not fit the criteria so I’ll save it for the comments.
Don, you’re right about Fred Astaire — he didn’t have a strong voice, but he knew how to sing, and songwriters knew he would sing their songs the way they wanted them sung.
Re Z, I also have a song in mind that, literally speaking, doesn’t meet the criteria (not because it’s not an oldie). It’ll be interesting to see if we’re talking about the same song.
arekhill1
12:10 pm on December 16, 2017 Permalink
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Couldn’t think of anything besides the theme from Xena, the Warrior Princess myself, Sr. Muse, and I’ve already posted that for your review. Can’t say as I really blame you for not including it.
If I have seen further, it is by standing on the shoulders of giants. –Sir Isaac Newton
Comedian Sid Caesar, in his autobiography, CAESAR’S HOURS, quotes the above and adds, “I too stand on the shoulders of giants. Nobody does anything alone.”
To me, to call Sid Caesar (born 9/8/22) a comedian is akin to calling Newton a physicist — accurate, yes, but hardly adequate. In a down-to-earth way, I might even say that what Newton was to gravity in the 1680s, Caesar was to levity in the 1950s. The bottom line is, I was in my teens then (the 1950s, not the 1680s), and still reasonably sentient at the time; thus I can bear witness to the comic genius that I, as a geezer, still see in Caesar.
And just who were those giants on whose shoulders Caesar stood? He tells us in his book: “I always wanted to be Charlie Chaplin. He was one of my earliest comedic heroes, along with Buster Keaton, Laurel and Hardy, and W.C. Fields. Most of their comedy came from their character. They each believed in what they did, and I believed them.”
Caesar was an up-and-coming comic performing mainly in the so-called Borscht Belt in New York’s Catskill Mountains when this opportunity arose in the infancy of network TV:
It was called YOUR SHOW OF SHOWS, and what an innovative show it was. It premiered live on 2/25/50 with writers like Mel Brooks, Max Liebman (who also produced) and (later) Woody Allen. Said Caesar: “For nine years, I presided over what was arguably the best collection of comedy writers ever assembled in the history of television, and possibly in the history of the written word — unless you think the U.S. Constitution is funny.”
Add co-stars Imogene Coca, Carl Reiner and Howard Morris, and the show was both a commercial and artistic success from Hour One. Here, they show you why:
Again quoting Caesar: “Until that time, the only big things on television were bowling, wrestling and Charlie Chan. [Max Liebman] wasn’t interested in the American public’s lowest common denominator. He wasn’t going to dumb down. His goal was that the quality of the show would drive its popularity and ultimately elevate taste.”
As Charlie Chan might say: Noble goal like chasing rainbow — beautiful while it lasts.
Originally, I came to this post with the idea of making it a birthday (9/8/1896) tribute to Howard Dietz, one of my favorite lyricists, whose autobiography (titled DANCING IN THE DARK) I also commend. Then I learned that Sept. 8 is the birthday of Sid Caesar as well as Howard Dietz, and I thought I GUESS I’LL HAVE TO CHANGE MY PLAN.
Hold on — it wouldn’t be right not to dance with the dude what brung me, so rather than ditch Dietz, I’ll sing his praises here too….starting with his first big hit (above), then an excerpt from early in the book, closing with a realization of the song which titles his story.
The following is quoted from the book’s forward by Alan Jay Lerner: As for that quality of life known as charm, I can only shrug sadly and chalk it up as another victim of that creeping nastiness called modern civilization. I think about the man whose reminiscences are contained in this book. They come to mind because of that special gift of charm that is so characteristic of his lyrics. Howard [Dietz] is the Fred Astaire, the Chevalier, the Molnar, the Lubitsch of lyric writers.
Dancing in the dark
Till the tune ends
We’re dancing in the dark
And it soon ends
We’re waltzing in the wonder
Of why we’re here
Time hurries by we’re here
And gone
I can still remember seeing that Bavarian Clock piece when they first did it in the early 1950s. It made such an impression on me that I still think it ranks as one of the most original and funniest skits ever done on TV….especially when you consider how ‘primitive’ television was back then.
I was a little too young for that show and then it didn’t get syndicated, or at least we didn’t see it where I lived. I only heard about Sid Caesar later, but of course I knew of Mel Brooks and Carl Reiner. Speaking of Mel Brooks, I just watched “Young Frankenstein” last night and could not stop laughing.
In his autobiography, Sid Caesar has some very interesting and funny things to say about Mel Brooks when Brooks was a 20-something year old CHARACTER (that’s character with a capital CHARACTER) working for YOUR SHOW OF SHOWS. I have a feeling you would enjoy the autobio (CAESAR’S HOURS) tremendously if you have time to read it (Amazon has it in both hardcover and paperback).
Muse most people are familiar with Sinatra’s upbeat version of Dancing in the Dark but he also sang it like this from time to time a little slower and more poignant.
Thanks, Don — I hadn’t heard this version before, and must say I prefer it to the upbeat version. I usually prefer Frank’s older & more mature voice, but in this case, I think he’s more in tune with the way the song should be sung and no doubt the way the songwriters (Dietz and Arthur Schwartz) envisioned it.
Thanks for a grreat post! I had the incredible good luck to see Sid Cesar and Imogene Coca together on stage. They did a piece without any words and it was amazing. I knew I was watching legends at the height of their gifts. Still shake my head at the memory, all these years later.
That was indeed incredible good luck, Jadi — and it was an incredible pleasure to do this post, bringing back such recollections as the “Bavarian Clock” sketch which I hadn’t seen in decades.
Song and dance men don’t come any better than Fred Astaire!
I especially love the DANCING IN THE DARK dance with Cyd Charisse — so sensual, so effortless, so perfect.
For the benefit of my fellow geezers out there who may not be aware of it, May is OLDER AMERICANS MONTH (not to be confused with NATIONAL SENIOR CENTER MONTH (September) or NATIONAL ACCORDION MONTH (June). Accordionly, May you and I bask in the recognition which is due us for living long enough to pass along our well-earned wisdom to those who don’t want to hear it.
To be sure, there is also a slight  drawback about old age: there’s not much future in it….but otherwise, it’s not a bad time to be alive. At any rate, it beats the alternative — or so they say (as if “they” have experienced said alternative).  On the flip side, there are many timely quotes on the age-old subject of age, so let’s put on our reading glasses and see if we can make heads or tails of some of them:
If I’d known I was going to live this long, I’d have taken better care of myself. –Anonymous
An archaeologist is the best husband any woman can have: the older she gets, the more interested he is in her. –Agatha Christie
Age does not diminish the extreme disappointment of having a scoop of ice cream fall from the cone. –Jim Fiebig
Millions long for immortality who don’t know what to do with themselves on a rainy Sunday afternoon. –Susan Ertz
Old age is like a plane flying through a storm. Once you’re aboard, there’s nothing you can do. –Golda Meir
Growing old is mandatory; growing up is optional. –Chili Davis
You’re only as old as the girl that you feel. –Groucho Marx
Time may be a great healer, but it’s a lousy beautician. –Anonymous
If you worry, you die. If you don’t worry, you also die. So why worry? –Mike Horn
I was going to use that last quote to close with the song DON’T WORRY, BE HAPPY, but on the occasion of the birthday (May 10, 1899) of the never-grows-old Fred Astaire, this song and dance make me happy to change my tune:
Hysterical first paragraph (even the pun), and I always love the quotes you feature. I heard the first quote, btw, with “my teeth” replacing “myself” – both are apt and only slightly funny once you get old enough to be considered a senior. đ
Love-love-LOVE the tap number – rarely seen in today’s dance shows (unless you want to count the choreography of STOMP or a few contestants on So You Think You Can Dance, where it is rarely featured predominantly). Thank you for making me grin by posting.
Crazy about Astaire, but must chime in again that it’s a shame that his partners never seem to have gotten the credit they deserve – rarely credited at all, actually, when Fred Astaire numbers are posted (even here). ::sigh::
ANYWAY, Happy Older Americans Month! Let’s get up out of our rockers and rock the month!
xx,
mgh
(Madelyn Griffith-Haynie – ADDandSoMuchMORE dot com)
ADD Coach Training Field founder; ADD Coaching co-founder
“It takes a village to educate a world!”
I have to disagree (in part) about Fred’s partners not getting the credit they deserve. I think Ginger got a lot of credit — the whole world knows immediately that when you say Fred and Ginger, you’re referring to Fred Astaire and Ginger Rogers. In my opinion, it was some of his other partners who didn’t receive enough credit, even though they were considered better dancers than Ginger (Eleanor Powell, Rita Hayworth, Cyd Charisse). Of course, Ginger made many more films with Fred than they, and built the sustained magic with Fred that wasn’t possible in one or two films with other partners. But there is magic nonetheless in such clips as his tap dance with Eleanor Powell!
P.S. I didn’t think it necessary to mention Eleanor’s name in introducing the clip because her name appears in the clip photo itself….and, after all, it’s HIS birthday, not her’s!
Great points. btw – this would be a great post to share on today’s Senior Salon – the little couch at the bottom of May’s Mental Health Calendar has a direct link.
xx,
mgh
Thanks for the share suggestion, Madelyn, but I don’t think you appreciate what a dufus I am with regard to the internet. I don’t see “the little couch at the bottom of May’s Mental Health Calendar,” and even if I did, I probably wouldn’t know what to do with it to share this post. I ain’t an old geezer for nothing! đ
mistermuse, I liked your posts, and especially your quotes while I enjoy the warm, sunny coast of Florida. I think of most poets that you are the most congenial, better than an epidural by far, and I wish on a star that you stay as young as you are.
Haha! These were great. I have been watching my scoops of ice cream fall in slow motion for some time now, and I’ve decided that laughter is the only medicine. And a little Eleanor Powell (such a worthy partner for Fred) never hurts…
Unfortunately, those scoops of ice cream never fall in slow enough motion to catch them before they hit the ground (or your shoes) — leaving you standing there holding an empty cone and looking like an idiot (make that ME looking like an idiot — I’m sure you would look like you were just giving your dog a treat….or your dogs a treat, if the scoop hit your feet). đ
Thanks to all for your comments. Calmkate, I’m not sure there’s any such thing as “the wrong gal” when it came to dancing with Fred — even a non-dancer like Joan Fontaine looked pretty good dancing with Fred in DAMSEL IN DISTRESS. But I agree that Ginger was special.
As for growing old disgracefully — you go, girl! đ
“wrong girl” in that it wasn’t me … đŚ
Joan was a hero of mine but last I saw she should have retired .. her partner had to carry her around the stage … it was so sad
Don, for the benefit of the baseball uninitiated, the wise men you quoted were Satchel Paige and Yogi Berra. But there can’t be just two wise men — there must be three. So here’s a quote from Tommy Lasorda: “I love doubleheaders. That way I get to keep my uniform on longer.”
We grow old too early and wise too late, Sr. Muse. On the other hand, you can dispense with any effort to acquire wisdom at all, and take comfort in the assertion that there’s no fool like an old fool, and congratulate yourself for being on top of the fool chain.
One good turn deserves another and we can’t leave this guy out on this subject. “The Yankees fired me because I turned 70. I’ll never let that happen again.” Casey Stengel.
Then there was Warren Spahn who played for Casey before he managed the Yankees and later when Casey managed the Mets. “I worked for Casey before and after he was a genius.”
I love the humor in your intro and these quotes are great. Susan Ertz was my favorite, but the anonymous one about the lousy beautician made me laugh. Great post. Happy Belated Birthday!
Synchronicity . . . love it. I just signed up for Silver Sneakers today and didn’t even know it was Older Americans Month. First time over here and enjoyed the quotes — not done yet in these golden years – just figuring that out. Forever young (Eleanor Powell and Fred Astaire) — fun to watch them again. Thank you for sharing. đ
I can’t believe how much I enjoyed that dance. They must have practiced endlessly to remember all those details. Eleanor Powell blew me away. The guy was good, too. Hahaha
My last post was published on the birthday (Jan. 20, 1896) of GEORGE BURNS. This post is being published on the birthday (Jan. 25, 1759) of ROBERT BURNS. The former lived to the ripe old age of 100, the latter to age 37; a punster might say (0f the disparity) that they Burns the candle at both ends (of course, I would never say such a thing).
Some of you no doubt remember George Burns as God in the 1977 hit film OH, GOD!, and as the Academy Award winning Best Supporting Actor in THE SUNSHINE BOYS (1975), but we geezers best recall him as straight man to wife Gracie Allen in the comedy team of BURNS AND ALLEN. After she died in 1964, he immersed himself in work, remaining active for another three decades in TV, movies, and as author of ten books.
Here are Burns & Allen with Fred Astaire in two fun scenes from DAMSEL IN DISTRESS (1937):
Many of you probably do not remember ROBERT BURNS (aka RABBIE BURNS). Even I, ancient as I am, do not recall him. But history tells us he was known as the Ploughman Poet, the Bard of Ayrshire (Scotland), and as a pioneer of the Romantic movement. Regarded as the National Poet of Scotland, in 2009 the Scottish public voted him the GreatestScot, evidently as a belated promotion from GreatScot! Among his best known poems are “Auld Lang Syne,” “A Red, Red Rose” and “To A Mouse” (said to have been written when he accidently destroyed a mouse nest while plowing a field). I suspect the mouse would have preferred if Burns had restored the nest, but nonetheless, the poem was a mice gesture.
In closing, it might be nice to see what the Burns boys had to say in their own words (George’s quotes are in italics, followed by Robert’s in what I take to be post-Old English):
Acting is all about honesty. If you can fake that, you’ve got it made.
Nice to be here? At my age, it’s nice to be anywhere. (Tell me about it!)
First you forget names, then you forget faces. Next you forget to pull your zipper up, and finally, you forget to pull it down. (Don’t tell me about it.)
When I was a boy, the Dead Sea was only sick.
It takes only one drink to get me drunk. Trouble is, I can’t remember if it’s the 13th or 14th.
Oh wad some power the giftie gie us /Â To see ourselves as others see us!
Gie me ae spark o’ Nature’s fire, /Â That’s a’ the learning I desire.
An’ there began a lang digression /Â About the lords o’ the creation.
Wee, sleekit, cow’rin, tim’rous beastie, /Â O, what a panic’s in thy breastie!
The best laid plans o’ mice and men Gang aft a-gley.
Interest that you should mention Robert Burns. Funnfact: there is a statue of him in my home city. It seems kind of random to see it since he never resided in Massachusetts and I’m not sure he ever lived in the states. To make a long story short, a Scottish heritage group, called the Scottish clans of America in honor of all of the Scottish people who had settled in the area.
Thank you for that interesting info. I wonder if there is a similar statue in the Canadian province of Nova Scotia, which was a Scottish colony for a brief period in the 17th century.
I don’t know if you watch JEOPARDY!, but if so, perhaps you’ve noticed that Rabbie (Robert) Burns turns up relatively often as a question (answer).
I am bat-sh*t crazy about “back in the day” tap routines — but would you believe that I either didn’t know (or had totally forgotten) that Burns was a tapper? And an excellent one too! I mean, anyone who can keep up with Astaire is NO slouch!!!
I had to watch this 3 times, putting my attentional spotlight on each of them. BRILLIANT routine! Such lightness in their execution – and CLEAN as a whistle taps.
I also think that G. Burns was one of the few (besides me, of course) who really appreciated Gracie’s comic genius – in addition to his being able to set her up perfectly – one of the best straight men in the biz.
Bobby, on the other hand, is my personal guru of oh-well. I am a repeat winner of the Bobbie Burns award, having ganged oft aglee more times than *anybody* can count!
Thanks for another great post.
xx,
mgh
(Madelyn Griffith-Haynie – ADDandSoMuchMore dot com)
– ADD Coach Training Field founder; ADD Coaching co-founder –
“It takes a village to educate a world!”
I agree about George Burns. He, like most entertainers back in the day, started out in vaudeville and could do more than one thing. Astaire, for example, was not only a great dancer, but an actor, singer (I personally love his way with a song), choreographer, percussionist, and even wrote a few popular songs. In those days, you had to have talent — you didn’t get to be famous for being famous.
Don Frankel
9:05 am on January 25, 2017 Permalink
| Reply
Muse, I remember the TV show from when I was a kid. While Gracie and Harry Von Zell would be plotting, George would be upstairs in his den watching it on TV. I thought that was the coolest thing.
Although George wasn’t my favorite comedian, George and Gracie as a pair were “the coolest thing” indeed. If I recall correctly, at the end of the show, he would tell Gracie, “Say goodnight [meaning ‘to the audience’], Gracie.”….and she would repeat, “Goodnight, Gracie.”
arekhill1
10:21 am on January 25, 2017 Permalink
| Reply
To return to your favorite subject, Sr. Muse, if God is going to get started with giving out the gift of perceiving how others see us, He could start with Trump.
You got that right, Ricardo. Even when he does perceive how others see him, it’s through the lens of his megalomania. Talk about a legend in his own mind!
A great post, told in an appealingly humorous way. I remember Gracie Allen well. I was a teenager when they were on TV quite a lot and my mum loved them. George must have done something right to live to a hundred … perhaps he always ate his greens or something. Lol The tap scene is amazing. All three are wonderful dancers.
In a comment above, you wondered whether there was a Robert Burns’ statue in Nova Scotia. I looked up about statues of Burns around the world, intending to add some to my post, and I know there are a few in Australia, New Zealand and Canada. I think there’s one in British Columbia and one in Halifax in Nova Scotia. I didn’t get as far as looking to see whether there were any in the USA. I intend to do another post about Rabbie, this time about his life and poetry. I thought I’d talk about the many statues then.
Thank you for connecting to my post. I enjoyed reading yours.
Thank you for the kind words. Anyone who’s interested in more info (along with some very nice pix) about Robert Burns should check out your Jan. 25 post by clicking on your name above.
obbverse 3:39 am on July 1, 2020 Permalink |
Julie Andrews will never sound the same thanks to that son of the bleach.
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mistermuse 7:49 am on July 1, 2020 Permalink |
đ
The whole country will never be the same if that son of a bleach is reelected. We’ll be lucky if we recover even if he’s defeated.
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calmkate 5:10 am on July 1, 2020 Permalink |
my photo, my blog MrM … glad I inspired such a cheery colourful post đ
Those conflicting terms are strong for the male/female divide too … a man is assertive but a woman bossy, etc etc ..
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mistermuse 8:01 am on July 1, 2020 Permalink |
Does it even the score if you put ‘overly-‘ before “assertive” (as in “overly-assertive”), Kate? đ
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calmkate 9:07 am on July 1, 2020 Permalink
doubt it old fella … and don’t use age as an excuse đ
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mistermuse 9:28 am on July 1, 2020 Permalink
View at Medium.com
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calmkate 5:14 am on July 1, 2020 Permalink |
that last one is priceless, thanks for the share!
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Rivergirl 7:20 am on July 1, 2020 Permalink |
Me! It was me! I had a double rainbow in the backyard and will happily accept credit for this post.
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mistermuse 8:06 am on July 1, 2020 Permalink |
Judging by calmkate’s first comment above, Rg, you may have to share the honors with her (although I do now remember your double rainbow post as being my ‘inspiration’ — thanks for the reminder). đ
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masercot 7:59 am on July 1, 2020 Permalink |
With a little bit of luck, they’ll go out and start supPORTING YOUUUUUUUU!
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mistermuse 8:16 am on July 1, 2020 Permalink |
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tubularsock 12:57 pm on July 1, 2020 Permalink |
Let us not forget whose policies helped elect the Dump!
Obummer and Killery!
Now it is a race between an empty box and an orange turd!
Either way weâre dead meat! A race to the bottom.
At least Randy Rainbow makes Tubularsock laugh on the ride down!
Cheers.
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mistermuse 3:35 pm on July 1, 2020 Permalink |
Drawing an equivalence between “the Dump” and “Obummer” strikes me as a bit of a stretch, but I guess that’s what tubular socks do. In any case, we agree on Randy Rainbow, and alliances have been forged on matters of far less understanding in common.
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magickmermaid 1:40 pm on July 1, 2020 Permalink |
With a little bit of luck the dubious Dr will drink his own cure. đ
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mistermuse 3:37 pm on July 1, 2020 Permalink |
I will definitely drink to that, mm!
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Rosaliene Bacchus 4:01 pm on July 1, 2020 Permalink |
Randy Rainbow gets right to the issue in his most delightful way đ
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mistermuse 4:51 pm on July 1, 2020 Permalink |
So too do you, Rosaliene. đ
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annieasksyou 6:31 pm on July 1, 2020 Permalink |
This was such a romp. My sister played in a local production of Finianâs Rainbow when we were young, so I was forced to learn every word. I love the words and music, and Fred Astaire could elevate any scene.
I liked your pointing out Harburgâs messageâalso that the cast wasnât lily white.
I think we should all declare the evil one irrelevant and just ignore him while we work like hell to overcome all the shenanigans designed to disrupt our reclaiming our democracy.
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mistermuse 10:42 pm on July 1, 2020 Permalink |
Thank you, Annie. In addition to being a superb wordsmith, E.Y. (Yip) Harburg was undoubtedly the most liberal lyricist of the Golden Age of Popular music. If interested in reading his biography (the one I mentioned in my post), the title is WHO PUT THE RAINBOW IN THE WIZARD OF OZ? by Harold Meyerson and Ernie Harburg (Yip’s son).
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mistermuse 11:17 pm on July 1, 2020 Permalink |
NOTE: Because of what I consider a vulgar rant (since deleted) by a commenter to this post, I have chosen to change my settings to require approval by me of all future comments. This means that comments will no longer appear immediately. However, be assured that this is no reflection on my regular valued followers. It means only that life is too short to take part in diatribes which bring heat but no light to the matter at hand. This is MY blog, after all, and my standards apply. I hardly need add that that commenter is free to run his blog as he sees fit.
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Catherine Haustein 1:14 am on July 2, 2020 Permalink |
I saw a production when I was in grade school and adored the show. Great music and message.
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mistermuse 7:32 am on July 2, 2020 Permalink
I agree, Catherine. You seldom, if ever, see FINIAN’S RAINBOW included among the best movie musicals of all time, but I think it rates at least in the top 40 or 50.
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annieasksyou 10:57 pm on July 1, 2020 Permalink |
Thanks.
Speaking of liberals, I wrote a tweet to Rob Reiner, who had written that he was heartbroken over his fatherâs death. Someone put up a photo of Carl, his daughter (Annie, it so happens), and Mel Brooks wearing Black Lives Matter t-shirts just last week. There was also a video Carl had made urging everyone to vote in 2018, very fiery, and concluding that he just hopes heâll be around in 2020 to vote the unmentionable one out. So I plan to dedicate my vote to Carl Reiner in November.
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mistermuse 12:59 pm on July 2, 2020 Permalink |
Great comment, Annie. My memory of Carl goes back to Sid Caesar’s YOUR SHOW OF SHOWS in the early 50s. Those were the days, my friend!
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Silver Screenings 3:36 pm on July 5, 2020 Permalink |
I’ve never even heard of Finian’s Rainbow before, and I call myself a Fred Astaire fan â sheesh! I need to see this one, just because.
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mistermuse 5:55 pm on July 5, 2020 Permalink |
Yip Harburg conceived and cowrote the book (as well as wrote the lyrics) for FINIAN’S RAINBOW, which opened on Broadway in 1947 and ran for 725 performances before being made into a movie in 1968. His son, Ernie Harburg, calls it “Yip’s most complex and fully realized achievement.”
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arekhill1 1:22 pm on July 6, 2020 Permalink |
I often wonder whether I’ll be able to write harmless humor again when Trump is gone, Sr. Muse, but I fear Randy Rainbow will be clean out of a job.
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mistermuse 3:03 pm on July 6, 2020 Permalink |
I have faith in you to keep after the cowering inferno of Trump as a loser, Ricardo. Megalomaniacs do not go softly into that good night, so until he ends up in a padded cell where he belongs, I’m sure he’ll provide continuing fodder for skewering by you and Randy.
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