Tagged: The Maltese Falcon Toggle Comment Threads | Keyboard Shortcuts

  • mistermuse 4:00 pm on August 5, 2020 Permalink | Reply
    Tags: African Queen, Beat The Devil, , , , , , , , , The Maltese Falcon, The Treasure of the Sierra Madre,   

    THE TREASURE OF JOHN HUSTON 

    Huston would have agreed with [Orson] Welles, who declared, “I’m awfully tired of old men saying they have no regrets. We’re loaded with, burdened with, staggering under, regrets.” –Jeffrey Meyers, from his biography JOHN HUSTON: COURAGE AND ART

    * * * * *  * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *  * * * * * * * * * * * * * * * * * *

    I must admit that JOHN HUSTON (born August 5, 1906) is not the kind of human being I admire — however, he IS the kind of film maker I admire. Yes, he made his share of clunkers, but few directors made more of my all-time favorite films than he: The Treasure of the Sierra Madre, The Maltese Falcon, The African Queen, Beat The Devil — and yet, he had more than his share of things to regret, as he himself admitted (more on that shortly).

    But first, here are two classic scenes from THE TREASURE OF THE SIERRA MADRE:

    The second scene features the great actor Walter Huston (father of John) doing his incomparable dance in the gold-flecked dirt of the Sierra Madre mountains:

    Getting back to John Huston’s regrettable qualities, Jeffrey Meyers (in his excellent bio) compares Huston to Ernest Hemingway: “Hemingway had four wives, Huston had five (and all of his marriages ended badly). Each married increasingly younger women and, while married, fell in love with a series of women even younger than their wives. Huston, however, [unlike Hemingway] was unashamedly promiscuous. Both had three children and were difficult, demanding and frequently absent fathers.”

    “In the last paragraph of his autobiography, Huston brooded over his guilty regrets about family, finances, alcohol, tobacco and matrimony. Huston could be noble, generous and kind, as well as selfish, callous and cruel. But he should be remembered for his intellect, his imagination and his charm.”

    I, of course, cannot remember him thusly because I did not know him. But I can remember him for his films, and so I do. Who could forget the black bird….

    ….or The African Queen:

    One of those clunkers I mentioned was THE BIBLE (1966), an ungodly bad epic which he both directed and starred in. But those can be forgiven in light of the above trinity of masterpieces. If that doesn’t Beat The Devil….

     

     

     

     
    • magickmermaid 4:33 pm on August 5, 2020 Permalink | Reply

      The Maltese Falcon and African Queen are two of my favourite films. Strange, but I’ve never hear of Beat the Devil. I always learn something new on your blog. 🙂

      Liked by 2 people

      • mistermuse 4:51 pm on August 5, 2020 Permalink | Reply

        Beat the Devil probably belongs in the category CULT CLASSIC, in that it’s not widely known but has a modest following of devoted fans. I haven’t seen it in years, even on TCM, which I watch regularly.

        Liked by 1 person

    • Rivergirl 5:40 pm on August 5, 2020 Permalink | Reply

      Love those old Bogey films. But yes, Huston was an odd duck.

      Liked by 1 person

      • mistermuse 6:16 pm on August 5, 2020 Permalink | Reply

        Bogey may have been in more classic films than any actor I can think of, from HIGH SIERRA (screenplay by John Huston) and CASABLANCA to THE AFRICAN QUEEN and THE HARDER THEY FALL (his final film). There was only one Bogey!

        Liked by 1 person

    • calmkate 7:56 pm on August 5, 2020 Permalink | Reply

      what a trip down memory lane, always learn something new and enjoyed these clips!

      Liked by 1 person

    • D. Wallace Peach 10:11 pm on August 5, 2020 Permalink | Reply

      I just watched The African Queen with my parents a few weeks ago. Huston was quite a good director, but I’m also glad I didn’t know him. 😀

      Liked by 1 person

      • mistermuse 12:26 am on August 6, 2020 Permalink | Reply

        I just read in another book that Huston was driving drunk in 1933 when he struck and killed a passerby, but it was hushed up and he never paid the consequences. So much for the farce that “no man is above the law.”

        Liked by 1 person

        • D. Wallace Peach 10:50 am on August 6, 2020 Permalink

          Ugh. Oh, to be rich and powerful. We see what happens when someone is above the law, don’t we?

          Liked by 1 person

        • mistermuse 11:32 am on August 6, 2020 Permalink

          Considering that Huston didn’t include that incident among his “guilty regrets” in his autobiography, he must have still thought of himself as a privileged character.

          Like

    • The Coastal Crone 6:18 pm on August 6, 2020 Permalink | Reply

      Love all these old guys!

      Liked by 1 person

    • Elizabeth 6:01 pm on August 8, 2020 Permalink | Reply

      I loved the trailer for “The Maltese Falcon.” Thanks.

      Liked by 1 person

      • mistermuse 9:42 am on August 9, 2020 Permalink | Reply

        You’re very welome. I love that trailer too. What great character actors there were in that film!

        Liked by 1 person

        • Elizabeth 3:38 pm on August 9, 2020 Permalink

          Every winter exam period in college we attended a Bogart festival, so I saw that film four times.

          Liked by 1 person

    • Silver Screenings 10:10 pm on August 9, 2020 Permalink | Reply

      I own a copy of John Huston’s memoirs, but have not been able to bring myself to read it. I think, deep down, I just don’t want to know too much.

      However, he was one of the great filmmakers, and some of his films are among my faves.

      So glad you featured his work on your site today. 🙂

      Liked by 1 person

      • mistermuse 8:16 am on August 10, 2020 Permalink | Reply

        I ‘get’ how you feel about Huston, SS. Sometimes we must separate the art from the artist. If we can’t do that, we only truncate our capacity to objectively appreciate artistry as it stands, on its own terms.

        Liked by 1 person

    • waywardsparkles 7:50 pm on August 10, 2020 Permalink | Reply

      Dang, MM, the list of movies I need to see keeps growing. Maltese Falcon, Sierra Madre, African Queen and Casablanca. Okay. Now I need to find the time to sit down and watch them all! Mona

      Liked by 1 person

    • mistermuse 10:58 pm on August 10, 2020 Permalink | Reply

      Mona, all I can say is that you won’t be wasting your time with any of those movies. If I were you, I’d start with Casablanca because becoming a classic film buff begins with the gold standard for classic films (Casablanca). Happy viewing!

      Liked by 1 person

  • mistermuse 1:54 pm on November 4, 2019 Permalink | Reply
    Tags: , , , , , , , The Maltese Falcon   

    HOLLYWOOD’S GOLDEN AGE: MORE “BAD” ACTORS 

    In my previous post dealing with “bad” actors, we looked to the stars before turning to the character actors….but Hollywood’s Golden Age produced so many great bad character actors that only ONE such showing would be an injustice. So, before making my getaway from these characters, I’ll need to do more than one more post.

    Let’s begin this post with a name mentioned in my last post, PETER LORRE. Here he is, along with two accomplices, committing an act so unconstrained, it’s almost unbelievable:

    OK, that wasn’t exactly the typical Lorre performance you expected. But if you’ve seen CASABLANCA and THE MALTESE FALCON (and what classic movie fan hasn’t?), you’ve seen the classic Peter Lorre. So let’s put a wrap on that bird with this:

    Next, we turn to Lorre’s frequent “partner in crime” movies, SYDNEY GREENSTREET:

    We close this segment with a name you may not remember, but who could forget that character:

    TO BE CONTINUED….

     

     

     
    • moorezart 2:23 pm on November 4, 2019 Permalink | Reply

      Reblogged this on From 1 Blogger 2 Another.

      Liked by 3 people

    • Rivergirl 3:33 pm on November 4, 2019 Permalink | Reply

      Love it!
      Casablanca is one of my all time favorites. Did you know Ronald Reagan was originally slated to play Rick? I can’t even wrap my mind around that.

      Liked by 5 people

      • mistermuse 4:47 pm on November 4, 2019 Permalink | Reply

        I vaguely recall that about Ronald Reagan. The only worse casting I can imagine would be Donald Trump to play Abraham Lincoln.

        Liked by 3 people

    • Elizabeth 5:13 pm on November 4, 2019 Permalink | Reply

      Can’t remember if I have already shared this. Every exam period the movie theater in Cambridge had a Bogart film festival. So I saw all of those films several times over. I loved Greenstreet and Lorre too. Of course I always imagined it was me that Bogie was looking at.

      Liked by 3 people

    • calmkate 5:44 pm on November 4, 2019 Permalink | Reply

      With all these men their expressive eyes are the winners!
      Thanks for expanding my knowledge 🙂

      Liked by 3 people

      • mistermuse 6:41 pm on November 4, 2019 Permalink | Reply

        Kate, you might say “The eyes have it with these guys? (as opposed to Trump, who tries to pull the wool over our eyes).

        Liked by 1 person

        • calmkate 6:43 pm on November 4, 2019 Permalink

          he can only do that with absolute morons, any one with brains can see the psychopath for what he is …

          Liked by 3 people

    • Carmen 7:38 pm on November 4, 2019 Permalink | Reply

      Well, that was a great blast from the past!

      Liked by 2 people

      • mistermuse 8:10 pm on November 4, 2019 Permalink | Reply

        Thanks, Carmen. On that note of tribute, I’ll share with you a bit of trivia which I’m not sharing with anyone else: the first clip’s “Sweet Siberia” song (and entire score of SILK STOCKINGS) was composed by none other than Cole Porter. I’m only telling you that because I GET A KICK OUT OF YOU.

        Like

        • Carmen 8:59 pm on November 4, 2019 Permalink

          I’ll consider that my birthday present. . . And yes, it’s sweet 62! 🙂

          Liked by 2 people

    • mistermuse 9:21 pm on November 4, 2019 Permalink | Reply

      Been there, done that. But Happy Birthday anyway, Carmen, despite the envy you make me feel!

      Like

    • davidbruceblog 9:28 pm on November 4, 2019 Permalink | Reply

      Reblogged this on davidbruceblog #2.

      Liked by 2 people

    • masercot 6:58 am on November 5, 2019 Permalink | Reply

      I loved Lorre in the Mr. Moto movies. I’m interested in “yellow-face” in old movies. There are bad cases of it, such as the Charlie Chan series; however, Lorre and Karloff portrayed Asian detectives in a very straightforward way. Lorre’s Moto was a nice mix of ethics and ruthlessness. He was essentially Raymond Reddington on The Blacklist…

      Liked by 1 person

      • mistermuse 4:08 pm on November 5, 2019 Permalink | Reply

        I didn’t see much of Mr.Moto when I was young, probably because the Charlie Chan series was on TV frequently and I became a big Chan fan (as I got older, not so much). My favorite in the “sleuth” genre was Sherlock Holmes, played so well by Basil Rathbone. I think some of the Homes films still hold up fairly well today.

        Like

    • smbabbitt 1:18 pm on November 6, 2019 Permalink | Reply

      Cook appeared in some marvelous films, and outlived most of the actors whose roles required them to insult or torment him. And deserves to be especially remembered for the memorable drumming scene in PHANTOM LADY.

      Liked by 1 person

      • mistermuse 5:03 pm on November 6, 2019 Permalink | Reply

        Some actors’ character portrayals are so one-of-a-kind that you never forget them. Cook was certainly one such actor. Here’s the scene you mentioned (actual drumming dubbed by jazz drummer Dave Coleman):

        Liked by 1 person

  • mistermuse 12:01 am on April 10, 2017 Permalink | Reply
    Tags: , , , flim noir, gangster movies, , , , , , , , The Maltese Falcon, The Naked Gun   

    GANGSTER WRAP 

    I trust that you remember my March 30 post titled HOLLYWOOD, DEAD LEFT ON VINE. If not, maybe you could use a nudge from Police Lt. Frank Drebin to refresh your memory:

    Maybe now you remember: my March 30 opus delicti distinguished between film noir (theme of that post) and gangster movies (this post’s theme), while allowing for crossover in films like WHITE HEAT (classified as film noir in one book, and gangster film in another). To anyone not ‘into’ such films, these thorny details may strike one as nothing more than a distinction without a difference….but I’ll assume you aren’t “anyone,” because I’ve got a job to pull — I mean, a post to write — and the subject ain’t roses.

    That’s odd. I could have sworn the subject was not roses.

    Wait a shrouded minute! Now I remember — the subject was supposed to be gangster movies. My bad. Sorry for the hold up.

    In the introduction to his book CLASSIC GANGSTER FILMS, by (appropriately enough) Robert Bookbinder, he writes: “The gangster film has always been one of the staples of the American cinema. Though there were several motion pictures with a gangster theme produced as far back as the silent era, the genre did not really begin to flourish until the thirties, when it reigned throughout the decade as one of the public’s favorite kinds of “escapist” entertainment. Depression-era audiences responded strongly to all the action, violence and romance, and were more than willing to get caught up in the on-screen exploits of Edward G. Robinson, James Cagney and Humphrey Bogart. In a sense, the movie gangster, with his rebellious breaking of society’s rules and regulations, and his aggressive drive to “get somewhere” regardless of consequences, became something of a hero to filmgoers of the period.”

    It is worth noting that, although the gangster film by no means passed completely out of the picture, its most productive period (1930 to 1941-42) led to the era of classic film noir (1941-59)….which began with THE (never-surpassed) MALTESE FALCON. The above three stars were equally without rival in both genres.

    Bookbinder’s book binds together the above transition, providing a fascinating look back at 45 gangster films (several overlapping into film noir), complete with credits, cast, commentary, photos and synopsis for each film, ranging from LITTLE CAESAR in 1930 to BONNIE AND CLYDE in 1967 and THE BROTHERHOOD in 1969. Of the latter, Bookbinder states: “It was not especially successful, and it has been almost completely overshadowed in film history by the more expensive and elaborate Godfather films of the early seventies. The picture deserves a better fate….what a truly entertaining gem it is.”

    Now, I will admit that, in general, I am not as big a fan of gangster films as I am of film noir. I have an affinity for the more tangled and convoluted plots (in most cases) of the latter, compared to the more macho and less sophisticated gangster films….but then, “sophisticated” is not a term one normally associates with gangsters — so, by Sam, let’s call a spade a Spade. It’s not a bum rap.

    But there is one bailiwick in which gangster films win hands down — I mean, hands up! (ha ha) — and that is in gangster film spoofs such as the all-time classic, SOME LIKE IT HOT (1959), which lost out to (would you believe?) BEN-HUR in practically every Academy Award category for that year. Oh, well — nobody’s perfect. 😦

    And that’s a wrap.

     

     

     
    • linnetmoss 7:14 am on April 10, 2017 Permalink | Reply

      According to Variety, Liam Neeson is on board to play Sam Spade in a new movie. He’s not the actor I would have thought of, but I’ll give him a chance.

      Liked by 1 person

      • mistermuse 10:49 am on April 10, 2017 Permalink | Reply

        Haven’t seen much of Neeson since SCHINDLER’S LIST (I don’t keep up with the current movie scene much anymore), but unless he’s aged really well in the last 24 years, he seems a bit long in the tooth for Sam Spade. I, on the other hand, would be perfect for the part of Methuselah if they decide to make a movie about him.

        Liked by 2 people

        • linnetmoss 6:43 am on April 11, 2017 Permalink

          He has aged well, since he’s still playing action roles in his 60s, but I agree that it’s a bit of a stretch.

          Liked by 1 person

    • Don Frankel 7:35 am on April 10, 2017 Permalink | Reply

      The Gangster films live on of course and some were even funny. Not ‘Some Like It Hot’ funny but still funny. Funny how you might ask?

      Liked by 1 person

      • mistermuse 10:59 am on April 10, 2017 Permalink | Reply

        Good one, Don. Another Don (Rickles), who just died four days ago, couldn’t have played it any better

        Liked by 1 person

    • arekhill1 10:48 am on April 10, 2017 Permalink | Reply

      Has anyone ever done a gangster film in total “Airplane” style? Bet it would be a hoot.

      Liked by 1 person

      • mistermuse 11:12 am on April 10, 2017 Permalink | Reply

        I hear that plans for such a film are up in the air right now, Ricardo, but we can always hope (just like you can always hope that most of my puns don’t fall flat).

        Liked by 1 person

    • Madelyn Griffith-Haynie, MCC, SCAC 12:08 am on April 11, 2017 Permalink | Reply

      Groaned my way down through the comments to “Leave a Reply” primarily to make sure I said thanks for the HOT clip. One of my favorites. The only possible reason it lost out to Ben Hur was that the Academy voters were “not very bright” that year! (always love MM – another severely under-rated talent, IMHO)

      I vote with you on Noir vs. Gansta’ btw. Another great post.
      xx,
      mgh
      (Madelyn Griffith-Haynie – ADDandSoMuchMORE dot com)
      ADD Coach Training Field founder; ADD Coaching co-founder
      “It takes a village to educate a world!”

      Liked by 1 person

    • Mél@nie 2:27 pm on April 11, 2017 Permalink | Reply

      @”Edward G. Robinson, James Cagney and Humphrey Bogart…” – holy Molly!!! THE Dream-team, by excellence… 🙂 btw, Edward G. Robinson was born in Romania, like me… 😉

      Liked by 1 person

      • mistermuse 3:51 pm on April 11, 2017 Permalink | Reply

        Speaking of three-member Dream teams, how about Edward G. Robinson, you….and Bela Lugosi, all born in Romania!

        Like

    • mitchteemley 5:15 pm on April 12, 2017 Permalink | Reply

      I never get tired of watching Some Like it Hot.

      Liked by 1 person

  • mistermuse 12:01 am on March 30, 2017 Permalink | Reply
    Tags: , , , , Dashiell Hammett, Edgar Allen Poe, , , , Howard Hawks, , , , , movie poster art, , , Raymond Chandler, , The Maltese Falcon,   

    HOLLYWOOD, DEAD LEFT ON VINE* 

    The film noir of the classic period (1941-59) is normally associated with the so-called Golden Age of Hollywood and its aftermath. In truth, the creative impetus for its most influential literary content dates back a full century.
    In April 1841, Graham’s Magazine in Philadelphia published the first detective story, The Murders in the Rue Morgue by Edgar Allen Poe and thus, mystery fiction was born. –
    -Lawrence Bassoff, CRIME SCENES

    • * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

    In my 11/30/16 post titled BOOKS RIGHT DOWN MY ALLEY, I wrote of finding a large cache of old movie books at a local library’s used book sale. One of those books was CRIME SCENES (subtitled Movie Poster Art of the Film Noir), from which the above quote is taken. How could I resist buying such a book, given that Film Noir has long been one of my favorite film genres, which includes such classics as THE MALTESE FALCON (1941), MURDER MY SWEET (1943), DOUBLE INDEMNITY (1944), LAURA (1944), THE BIG SLEEP (1946), SUNSET BOULEVARD (1950), and STRANGERS ON A TRAIN (1951). The introduction states it “is the first genre retrospective collection of movie poster art on the topic ever published in book form.”

    Bassoff writes that in the summer of 1946, ten American films whose French releases had been blocked by WW II (including the first five of the above) arrived in Paris theaters to be viewed by “new product-starved French filmgoers”….films based on American novels the French called “Serie Noire” by such authors as Dashiell Hammett and Raymond Chandler. The term “film noir” (first attributed to Frenchman Nino Frank in 1946) literally means “black film” for the “often low key, black and white visual style of the films themselves.”

    And what great films they are! Even after having seen some of these films more than once, I could return to the scene of the crime once again;  no doubt you could too — assuming you’re a film noir buff, which it would be a crime if you’re not. The test? Can you name at least half of the directors and stars of the above films? Answers (directors in CAPS):

    THE MALTESE FALCON — JOHN HUSTON (making his directorial debut), Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet
    MURDER MY SWEET — EDWARD DYMTRYK, Dick Powell
    DOUBLE INDEMNITY — BILLY WILDER, Fred MacMurray, Barbara Stanwyck, Edward G. Robinson
    LAURA — OTTO PREMINGER, Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price
    THE BIG SLEEP — HOWARD HAWKS, Humphrey Bogart, Lauren Bacall
    SUNSET BOULEVARD — BILLY WILDER, William Holden, Gloria Swanson
    STRANGERS ON A TRAIN — ALFRED HITCHCOCK, Farley Granger, Robert Walker

    Moving on: if Basssoff’s book were not confined to Hollywood film noir, no such list would be complete without THE THIRD MAN (1949), a British-made classic directed by Carol Reed, starring Orson Wells and Joseph Cotton. And of course there are many other Hollywood tour de force classics worthy of being kept alive, including such killer-dillers as:

    WHITE HEAT is considered by some to be in the gangster film realm rather than film noir, but there’s no law against crossover — in fact, WHITE HEAT is classified as film noir in CRIME SCENES and gangster film in CLASSIC GANGSTER FILMS (the latter being another used book sale find, which I may review in a future post). Meanwhile, I highly recommend the former — as Sam Spade (Humphrey Bogart) said of the bogus Maltese Falcon: It’s “the stuff dreams are made of.” And nightmares.

    *HOLLYWOOD, DEAD LEFT ON VINE is a play on the famous intersection of Hollywood Boulevard and Vine Street. I heard on the grapevine that the site was a ranch, and then a lemon grove, until 1903.

    20161005_Hollywood_and_Vine_historical_marker

     

     
    • linnetmoss 7:03 am on March 30, 2017 Permalink | Reply

      Good fun–I will never forget the creepiness of seeing Fred MacMurray in “Double Indemnity,” after growing up with him in Disney movies like “Son of Flubber”!

      Liked by 3 people

      • mistermuse 7:41 am on March 30, 2017 Permalink | Reply

        Now that you mention it, I recall thinking the same thing the first time I saw “Double Indemnity.” And I can’t think of a better way to characterize these ‘bad’ movies than as “good fun” — seriously!

        Liked by 2 people

    • arekhill1 10:29 am on March 30, 2017 Permalink | Reply

      Living la vida noire out here on the Left Coast, Sr. Muse. Did you see that the head of the European Union was going to start advocating for US states to leave the Union in retaliation for Trump promoting the dissolution of the EU? Ohio was specifically mentioned. Hopefully, I won’t need a passport to visit you if I ever get the chance.

      Liked by 1 person

      • mistermuse 11:24 am on March 30, 2017 Permalink | Reply

        I hadn’t heard (or seen) that, Ricardo, but I think the best place to start would be to advocate for Trump to leave the union….better yet, leave the planet (though I can’t imagine that the inhabitants of any other world would be gullible enough to fall for Trump’s con job).

        Like

    • BroadBlogs 4:28 pm on March 30, 2017 Permalink | Reply

      My mom loves old movies. She’d love this list!

      Liked by 1 person

      • mistermuse 9:22 pm on March 30, 2017 Permalink | Reply

        Prudence dictates keeping my posts to a reasonable length, or I’d have listed many more movies. Sometimes I wish Prudence would mind her own business! 😦

        Like

    • Don Frankel 5:04 pm on March 30, 2017 Permalink | Reply

      Great movies of course I’ve seen them all and more than once. They did a remake of Out Of The Past called Against All Odds with Jeff Bridges, Rachel Ward and James Woods. In a bit of smart casting they also had Jane Greer in there.

      But White Heat is one of the all time any type of movie you want to call it and no mention of it would be complete without…

      Liked by 1 person

      • mistermuse 9:20 pm on March 30, 2017 Permalink | Reply

        These movies had it all: great writing, atmosphere, directors, stars, supporting casts — the works. I’ve only watched WHITE HEAT once or twice, but I’ve seen MALTESE FALCON and THE THIRD MAN at least 5 or 6 times each, DOUBLE INDEMNITY and SUNSET BOULEVARD probably about 3 times.

        Like

    • Mél@nie 11:00 am on March 31, 2017 Permalink | Reply

      I did watch them all… just like you, I may have seen “Maltese Falcon” 4-5 times! 🙂

      • * *

      @film noir – en français dans le texte, SVP… 🙂 MERCI, Monsieur Muse!

      Liked by 1 person

      • mistermuse 5:34 pm on March 31, 2017 Permalink | Reply

        Mercy me — I fear my very limited French fails me in getting the gist of the sentence before “SVP” (which I understand stands for “s’il vous plait”). If you please, please translate into English. Merci!
        🙂

        Liked by 1 person

        • Mél@nie 3:25 am on April 5, 2017 Permalink

          SVP = s’il vous plaît = please… 🙂 you’re too modest, Sir… my very best and respectful regards, Mélanie Bedos

          Liked by 1 person

c
Compose new post
j
Next post/Next comment
k
Previous post/Previous comment
r
Reply
e
Edit
o
Show/Hide comments
t
Go to top
l
Go to login
h
Show/Hide help
shift + esc
Cancel