EAST MEETS WEST DAY

EAST IS EAST, AND WEST IS WEST, AND NEVER THE TWAIN SHALL MEET. –Rudyard Kipling

The above quote notwithstanding, it’s not too late if you want to meet Twain. Forget East/West, and return to the site of my previous post (MARK TWAIN ON DONALD TRUMP), where Twain still lives. I could quibble that you should have met him there then, but I am magnanimous enough to forgive those of you who didn’t read that post (so long as you promise never to let it happen again).

Be that as it may, this is April — April 24th, to be exact, which just happens to be East Meets West Day, which just happens to give me an excuse to engross you with some of my favorite East and/or West songs, such as this old standard by an old favorite:

Keely Smith (born Dorothy Keely) died four months ago at age 89, one of the best (though underappreciated) female vocalists of the 1950s-60s.

Next, we change directions for this Kurt Weill classic from the 1943 musical ONE TOUCH OF VENUS:

Let us end, fittingly, with WEST END BLUES by Louis Armstrong, one of the all-time great recordings in jazz history:

That performance was recorded in 1928; 90 years later, you can travel far and wide, east and west, and never the same shall meet.

 

TELLTALE TITLES

How much time and thought do you devote to coming up with just-the-right title for your story, poem or article? If you take writing seriously, the answer is probably: as long as it takes to nail it — which could be almost no time at all, if it comes to you in a flash — or, more time than a less intense writer is willing to allot.

Ernest Hemingway, for one, evidently wasn’t the latter type. Case in point: in writing his definitive Spanish Civil War novel, he didn’t settle for less than a killer title that would encapsulate ‘the moral of the story,’ eventually finding it in this passage from a 1624 work by the poet John Donne: “Any man’s death diminishes me because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.”

As a writer of (mostly) humorous poems and posts, I’m inclined to go for witty and/or wordplay titles. Many times, the title to a particular piece all but suggests itself, but more often, no such luck, and I’m stuck — until eventually (as with the title of this post) a eureka moment rewards my resolve….or a poem resists my labeling efforts, and I just settle for:

UNTITLED

This poem’s title is Untitled —
Not because it is untitled,
But because I am entitled
To entitle it Untitled.

If I’d not titled it Untitled,
It would truly be untitled….
Which would make it unentitled
To the title of Untitled.

So it is vital, if untitled,
Not to title it Untitled,
And to leave that title idled,
As a title is entitled.

Moving on, suppose we try a title quiz based on the Papa Hemingway model (sorry, those of you who’d prefer the mistermuse model). Here are five passages from classic original works from which later authors lifted titles for their novels. Can you name the five later works and pin each tale on its author (ten answers total)? If you name all ten correctly, you win the title (with apologies to Cervantes) of Donkeyote Of All You Survey.

PASSAGES FROM ORIGINAL WORKS:

Gentlemen-rankers out on the spree/Damned from here to Eternity/God ha’ mercy on such as we/Ba! Yah! Bah! –Rudyard Kipling

The best laid schemes o’ mice an’ men/Gang aft a-gley/An’ lea’e us naught but grief an’ pain/For promised joy! –Robert Burns

By the pricking of my thumbs,/Something wicked this way comes. –Wm. Shakespeare

Come my tan-faced children/Follow well in order, get your weapons ready/Have you your pistols? Have you your sharp-edged axes?/Pioneers! O pioneers! –Walt Whitman

No Place so Sacred from such Fops is barr’d,/Nor is Paul’s Church more safe than Paul’s Churchyard./Nay, fly to altars; there they’ll talk you dead/For Fools rush in where Angels fear to tread. –Alexander Pope

TITLES (WITH AUTHORS) FROM  ABOVE PREVIOUS WORKS:

FROM HERE TO ETERNITY –James Jones
OF MICE AND MEN –John Steinbeck
SOMETHING WICKED THIS WAY COMES –Ray Bradbury
O PIONEERS! –Willa Cather
WHERE ANGELS FEAR TO TREAD –E.M. Forster

How many of the ten titles/authors did you get? That last title, parenthetically, became part of Johnny Mercer’s lyrics to this 1940 hit song composed by Rube Bloom:

And now I fear I must tread on out….before something wicked this way comes.