JAZZ FOR LAUGHS (PART 02)

Part 02 is such sweet sorrow,
I could not wait till it be morrow
To bring to you 02 before
I bring to you Parts 03 and 04.
Beyond 04 I cannot see,
But two to one it won’t be 03.

It’s not every day you see a poem co-authored by Shakespeare and Mistermuse….or a post about a man (Fats Waller) who was born in May and died in December, three days after my previous post featured a man (Spike Jones) who was born in December and died in May. A bit odd, perhaps, but hardly more noteworthy than a May-December romance….so, just for laughs, let’s call it a May-December Much Ado About Nothing.

Thomas “Fats” Waller, for those whose knowledge of jazz history is thin, was born May 21, 1904 in NYC. His father, a minister, was strict and tried to restrict his son to church music, but Fats was more attracted to popular music, and after his mother died, he moved in with a man who befriended him, stride pianist James P. Johnson. At age 15, Waller was hired by the Lincoln Theatre as house organist, providing improvisational background music for silent movies. Thus began his career as one of the most beloved jazz musicians and prolific song writers of his time, ending with his premature death at age 39.

Perhaps Waller is best remembered (if at all) for is his jovial personality and humorous way with popular songs such as this….

….and this:

But Fats could do ’em straight, too, as with this 1936 classic:

It’s only fitting to close with his 1929 composition and most famous song, which he often performed tongue-in-cheek, but took (mostly) seriously here:

Until the next post in this series, behave yourself.

 

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A DISTANT RAINBOW

Once upon a time, in a sepia-toned place called Kansas (before landing in the colorful and Merry Old Land of Oz), a girl by the name of Dorothy sang a song called OVER THE RAINBOW. We all (many of us, at any rate) know who sang that song in the film, but the man who composed it is now long past recognition by almost all. He was born on this day (Feb. 15, 1905), and his name was Harold Arlen. This post is simply an appreciation of the man and his music, each of which encompasses much more than one man and one song….for, in those days, popular songs generally did not live by melody alone and were not born of one person alone. Composers/songs needed lyricists/words.

Arlen himself (according to biographer Edward Jablonski) acknowledged that words – even the title – were just as important as the melody, often saying that “A good lyric writer is the composer’s best friend.” The lyricists who collaborated with Arlen were among the best in the business: Ira Gershwin, Ted Koehler, Johnny Mercer, E.Y.”Yip” Harburg….and the songs they wrote were among the best in popular music history (many of them done for movies and Broadway shows). Here are some of them:

1930 – GET HAPPY
1931 – BETWEEN THE DEVIL AND THE DEEP BLUE SEA
1932 – I’VE GOT THE WORLD ON A STRING
1933 – IT’S ONLY A PAPER MOON; LET’S FALL IN LOVE; STORMY WEATHER
1934 – ILL WIND
1935 – LAST NIGHT WHEN WE WERE YOUNG
1939 – OVER THE RAINBOW; WE’RE OFF TO SEE THE WIZARD; DING-DONG THE WITCH IS DEAD
1941 – BLUES IN THE NIGHT
1942 – THAT OLD BLACK MAGIC
1944 – AC-CENT-CHU-ATE THE POSITIVE

But even those who remember Harold Arlen the composer probably do not know that he was also a fine singer who made a number of recordings, such as this one in 1933:

Harold Arlen died April 23, 1986, but his music should never die.