HOLLYWOOD’S GOLDEN AGE: MORE “BAD” ACTORS

In my previous post dealing with “bad” actors, we looked to the stars before turning to the character actors….but Hollywood’s Golden Age produced so many great bad character actors that only ONE such showing would be an injustice. So, before making my getaway from these characters, I’ll need to do more than one more post.

Let’s begin this post with a name mentioned in my last post, PETER LORRE. Here he is, along with two accomplices, committing an act so unconstrained, it’s almost unbelievable:

OK, that wasn’t exactly the typical Lorre performance you expected. But if you’ve seen CASABLANCA and THE MALTESE FALCON (and what classic movie fan hasn’t?), you’ve seen the classic Peter Lorre. So let’s put a wrap on that bird with this:

Next, we turn to Lorre’s frequent “partner in crime” movies, SYDNEY GREENSTREET:

We close this segment with a name you may not remember, but who could forget that character:

TO BE CONTINUED….

 

 

WHAT A CHARACTER….ACTOR

I have in the past noted the birthdays or deaths of a number of star actors. Yesterday marked the death of an actor who may not have been a leading man-type star, but was one of the leading and most unforgetable character actors of all time. If you’re a fan of classic movies of Hollywood’s Golden Age, you’ve seen him as Joel Cairo in The Maltese Falcon and as Ugarte in Casablanca. I refer to Laszlo Lowenstein – better known as PETER LORRE (June 26, 1904 – March 23, 1964).

Humphrey Bogart may have been THE star (along with Ingrid Bergman in the latter of those films), but for my money, the secondary players were no less memorable: Sydney Greenstreet, Mary Astor, Elisha Cook Jr., Claude Rains, Paul Henreid, Conrad Veidt and, of course, Peter Lorre.

Lorre was born Laszlo Lowenstein in Austria-Hungary and began his film career in Berlin in the late 1920s, making his first big splash as a child murderer in the German film in 1931. After fleeing Hitler’s persecution of Jews, he made his first English language film, Alfred Hitchcock’s The Man Who Knew Too Much, in 1934. He then moved to Hollywood where, after several years, his career entered a period of decline until Director John Huston cast him in The Maltese Falcon in 1941, and the rest is mystery….along with occasional comedy – speaking of which, here he is in a guest appearance on the Jack Benny Show in 1963: