You’ve got to hand it to Cole Porter. He’s a rich boy who made good.
–Oscar Levant (said jokingly of his born-into-wealth friend)
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If you, like me, are a child of parents born in the first decade of the 20th Century, you no doubt have at least a second-hand feel (if not first-hand familiarity) for that time in America known as “The Roaring Twenties” (AKA “The Jazz Age”) and “The Great Depression” (the 1930s). I was born too late in the Depression to recall what I saw then, but what I heard transcends the times. It’s the music, Cupid. Not that it was entirely romantic.
You remember music (take that however you wish). In the words of Lorenz Hart: It’s Easy To Remember (but so hard to forget)….or, put another – Irving Berlin’s – way: The Song Is Ended (but the melody lingers on). Today, however, we celebrate a master songwriter of those times whose music is Easy To Love: Cole Porter, born June 9, 1892.
To that end, I quote Fred Lounsberry, Editor of “103 lyrics of Cole Porter” (Random House):
Mixing of opposites, wide knowledge, spunk, individuality, realism, restraint, rascality, maturity. This is a pretty complete list of what makes Cole Porter’s lyrics delightfully different, but the really primary strength of his lyrics is intelligence, putting all his facts, facilities and philosophies into the right balance to make good entertainment.
So, without further ado, Let’s Do It — let’s do a few of those 1920s & 30s Cole Porter songs that are as likely to parody romantic bliss as to evoke it (including two versions of Let’s Misbehave):
http://www.youtube.com/watch?v=2iqqAIZpp2c
http://www.youtube.com/watch?v=4ceMwgadNFM
http://www.youtube.com/watch?v=p2AiQgnylrE
There, now — that wasn’t so bad, was it?
arekhill1 1:24 pm on February 24, 2018 Permalink |
Humans may be hard to love, Sr. Muse, but they’re easy to fuck. Many a song has been written about that, too.
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mistermuse 5:12 pm on February 24, 2018 Permalink |
Unfortunately, even Cole Porter couldn’t get away with writing a song titled “Easy To Fuck” (though he did write one called “Love For Sale”). I guess that’s why he settled instead for “”Easy To Love.” Even so, the puritanical Hayes Office censored the lyric “so sweet to awaken with” in the Jimmy Stewart clip.
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Don Frankel 5:12 pm on February 24, 2018 Permalink |
While this does not belong here musically, it just makes a point about how someone can look like an angle, talk like an angel and yet…
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mistermuse 6:18 pm on February 24, 2018 Permalink |
Don, I’ll see your DEVIL IN DISGUISE and “raise” you one with ANGEL IN DISGUISE, which was written in 1940 and became a Marine favorite in the Pacific theater in WWII:
P.S. The vocalist is Ann Sheridan from the soundtrack of IT ALL CAME TRUE (1940) (among her co-stars in the film was Humphrey Bogart).
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