THE FIX IS OFF (for now)

Something has come up to postpone my out-of-town daughter’s Father’s Day visit until the following weekend ….so my browser problem will remain on hold, and without resolution, until the (offspring’s) fix is in. Meanwhile, back at the rant, I’ve finished reading the outspoken CARROLL O’CONNOR’s autobiography wherein he vents about many things. So, to fill in, let’s take up where my last post left off. After all, it’s All In The Family.

O’Connor had a very varied pre-Archie Bunker life. Like many in their early adult years, he couldn’t find his niche. “I could not shake off a feeling of foolishness—a man of 26 plodding through the days and months with no plan, no answer for anyone who might ask “What are you going to do with yourself?” The eventual answer, after many dead-end turns, turned out to be acting….and, finally, stardom (which came with an Archie Bunker mentality).

I — no doubt like most who read autobiographies — do so primarily to learn more about the author, his/her life and times. But I’ll also admit to the guilty pleasure of learning what the author thought of well-known contemporaries — in fact, such opinions may offer insights into other personalities and professions, which broaden (for better or worse) what I thought I knew about them. So, what were O’Connor’s impressions of….

JOHN WAYNE: “He perceived America as the preeminent hero-nation, virtually a land of heroes in which he himself felt heroic (and actually was, as I knew him) and infused that perception into all his roles as naturally as if it were one of the primary  emotions.”

JEAN STAPLETON: “Jean’s idea of Edith Bunker was not only original and perfectly suited to the American audience, but very comical and emotionally moving. If ever anything on television changed the country, not radically, not even obviously, it was the performance of Jean and the example of Edith. Did our series effectively attack bigotry and racism? We thought so at the time –”

HARRY TRUMAN: “Nobody expected Truman to take part in a Korean civil war, if one should begin. His military chiefs had no battle plan; on the contrary, they had a plan for getting out of the way — withdrawing to Japan. I thought Truman was totally wrong — his political vision faulty, his practical leadership unintelligent, his moral justification false. For me, the issue of morality in war– whether or not it is a “just war” — turns on the question of choice. When you wage war because you have no choice you are acting justly. But when you have a reasonable choice and choose to wage war, you can’t call your war just.”

MOVIE WRITERS, “though marvelously reliable in inventing space creatures — shriveled humanoids and hugely swollen insects — are unreliable in depicting intelligent life on earth.”

AGENTS “are generally shrewd, knowing, clever people; good company, good friends. They have made my career; they make all careers; they are the most important people in the business.”

ACTORS: “I shall never forget my first professional play rehearsal at The Gaiety Theatre, Dublin, in the spring of 1951 — the immediate cordiality of my new friends the actors: they greeted me like an intimate. Now after all these years I am still unfailingly comforted, encouraged and elated in the company of actors. There is something about the work these dear neurotics do, investigating every kind of human character, that  develops in them an extraordinary tolerance, forgiveness and good humor. I commend their company even to normal folk.”

….and I commend this book of Carroll’s to you.