A NIGHT AT THE (SOAP) OPERA – Act II
SCENE: A ship sailing from Wherever to New Yurt
TIME: A day or two after Whenever
CAST: The usual suspects (same characters as Act I)
As the curtain opens on Act II, we find Opus E. Driftwort, Missis Playpool, Hermano Gottliebchen, renowned tenor Rodolpho Alasprairie, and beautiful soprano Rosa Grossa, who has been selected as the leading lady, onboard the good ship Lollipoop (which was pirated from an earlier opera set in the deep South titled BRAT EYES, starring Surly Temper as the leading child). The ship is about to depart for New Yurt, where the famous New Yurt Opera House is believed to be located.
Sadly, tenor Ricardo Macaroni (Allan Jonesboro), who is in love with Rosa (and her with he), is being left behind on the dock, leading to this heart-breaking parting of the ways:
Shortly thereafter, Driftwort enters his cabin and proceeds with the tusk of opening his trunk, only to find it packed with hungry stowaways Fiorello and Tomasso Marxista and Macaroni.
Later, following much more merrymaking, music, and muddled madness, the stowaways are caught and confined to quarters for a change. Fiorello subsequently tires of listening to Tomasso’s kazoo and tosses it out the porthole. Tomasso leaps after it into the ocean, from which a lifeline lifts him into the stateroom of three bearded Russian aviators taking a nap. Tomasso then takes to his scissors, leaving three Russian aviators beardless and three stowaways becoming bearded Russian aviators Chicoski, Harpotski and Baronoff.
Bear with us — we’re off until Act III.
Yeah, Another Blogger 11:43 pm on February 13, 2020 Permalink |
This is complicated!
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mistermuse 12:24 am on February 14, 2020 Permalink |
If you’ve never seen the movie A NIGHT AT THE OPERA (1935), I don’t blame you for finding this hard to follow. I’ve seen it probably half a dozen times over the years, and it hardly makes sense to me — but then, it’s the Marx Brothers, so it’s not supposed to make sense. Chaos reigns in all their films, especially in their two best films, A NIGHT AT THE OPERA and DUCK SOUP.
BTW, for the benefit of those who aren’t old time movie buffs, the reference (in the first paragraph) to BRAT EYES starring Surly Temper, is wordplay on the 1934 film BRIGHT EYES starring Shirley Temple. If any of my readers made that connection, I salute you (but don’t call me Shirley).
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masercot 8:10 am on February 14, 2020 Permalink |
“Would you like your nails long or short?”
“Better make it short, it’s getting pretty crowded in here”
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mistermuse 10:16 am on February 14, 2020 Permalink |
Great lines in a great scene in a great movie!
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magickmermaid 12:32 pm on February 14, 2020 Permalink |
HAHAHA! I’m enjoying this new Night at the Opera! 😀
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mistermuse 1:40 pm on February 14, 2020 Permalink |
You’re getting ahead of me, mm — HAHAHA is one more HA than the two Acts I’ve posted….but I’ll catch up with you before the Night is over!.
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magickmermaid 1:42 pm on February 14, 2020 Permalink
😀
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Silver Screenings 7:15 pm on February 23, 2020 Permalink |
Haha – I love that scene in the crowded cabin. It never gets old.
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mistermuse 7:47 pm on February 23, 2020 Permalink |
That scene and the “sanity clause” scene are my favorites in A NIGHT AT THE OPERA — two classic scenes in a classic film!
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