GOOD VIBES

They’ve used jazz xylophones as an aid in diagnosing depressives: If a subject is listening to more than a few minutes of jazz xylophone a day, there’s a better than fifty percent chance that he’s about to step in front of a train. –from THOUGHTS ON JAZZ, a tongue-in-cheek post on the surfeit-of-potatoes blog of our friend MASERCOT: https://morepotatoes.com/2019/07/19/thoughts-on-jazz/

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Well, I suppose every potato is entitled to its own opinion, but (though I dig potatoes as much as the next yam) I can’t let this riposte pass without defending the jazz xylophone, regret though I may that this puts non-diggers of ‘jazz x’ on track for a depressing end. But why step in front of a train when you can Take the “A Plane” and  go Flying Home….

If you recognized that “A Plane” was a play on words on Duke Ellington’s “Take The A Train,” give yourself an A+.  Here’s vibraphonist Milt Jackson’s take (the main dif between xylophone and vibraphone: the former has wooden bars, the latter has aluminum bars):

And, so you’ll have something beautiful to remember when you get home, here is (to quote jazz critic George Simon) “a magnificent xylophonist of exquisite taste,” Red Norvo and His Orchestra with their “smoldering version” of Irving Berlin’s REMEMBER (Red’s solo begins at the 1:16 mark):

So there you have it: three jazz xylophone/vibraphone masters at their best, bar none.